Art at the Centre, Reading

Gallery

From ’The Holy Brook (To The Venice of South Central England)’, a musical interlude for singers, French horn, and assorted percussion by Simon Rackham and Melanie Pappenheim, Reading Water Fest, 21 June 2003, Abbey Gardens, Reading. Photograph by Simon Rackham.
From ’Window [Vindauga (Wind, Eye)]’, illuminated stained glass window by David Ward, Blackwell’s Book Shop, Friar Street, Reading, 2004 (part of Friar Street Environmental Improvements project still in progress). Photograph by Rod Dorling.
From ’Ten Banners’, digital print on blackout PVC, by Marc Camille Chaimowicz, 2003, entrance to Oracle Shopping Centre, Broad Street, Reading.
Postcard flyer for ’Reading Holiday’ casting call event, by Adam Dant, 11-12 Sept 2004, Riverside Museum, Blake’s Lock, Reading.
From ’Window [Vindauga (Wind, Eye)]’, illuminated stained glass window by David Ward, Greyfriars Church, Friar Street, Reading, 2004 (part of Friar Street Environmental Improvements project still in progress). Photograph by Rod Dorling.
’Interior Landscape’, kinetic sound drawing by Max Eastley, 13-14 Sept 2003, Reading Hindu Temple.
’Return Journeys’, micro-artworks for Reading bus tickets by Luke McKeown, Dec 2002-Feb 2003.
From ’Drop Time’, installation for sonic armchair by Kaffe Matthews, 30 Oct-2 Nov 2002, Reading Railway Station Concourse. Photomontage by Bob Field.
From ’The Holy Brook (To The Venice of South Central England)’, a musical interlude for singers, French horn, and assorted percussion by Simon Rackham and Melanie Pappenheim, Reading Water Fest, 21 June 2003, Abbey Gardens, Reading. Photograph by Simon Rackham.

From ’The Holy Brook (To The Venice of South Central England)’, a musical interlude for singers, French horn, and assorted percussion by Simon Rackham and Melanie Pappenheim, Reading Water Fest, 21 June 2003, Abbey Gardens, Reading. Photograph by Simon Rackham.

From ’Window [Vindauga (Wind, Eye)]’, illuminated stained glass window by David Ward, Blackwell’s Book Shop, Friar Street, Reading, 2004 (part of Friar Street Environmental Improvements project still in progress). Photograph by Rod Dorling.

From ’Window [Vindauga (Wind, Eye)]’, illuminated stained glass window by David Ward, Blackwell’s Book Shop, Friar Street, Reading, 2004 (part of Friar Street Environmental Improvements project still in progress). Photograph by Rod Dorling.

From ’Ten Banners’, digital print on blackout PVC, by Marc Camille Chaimowicz, 2003, entrance to Oracle Shopping Centre, Broad Street, Reading.

From ’Ten Banners’, digital print on blackout PVC, by Marc Camille Chaimowicz, 2003, entrance to Oracle Shopping Centre, Broad Street, Reading.

Postcard flyer for ’Reading Holiday’ casting call event, by Adam Dant, 11-12 Sept 2004, Riverside Museum, Blake’s Lock, Reading.

Postcard flyer for ’Reading Holiday’ casting call event, by Adam Dant, 11-12 Sept 2004, Riverside Museum, Blake’s Lock, Reading.

From ’Window [Vindauga (Wind, Eye)]’, illuminated stained glass window by David Ward, Greyfriars Church, Friar Street, Reading, 2004 (part of Friar Street Environmental Improvements project still in progress). Photograph by Rod Dorling.

From ’Window [Vindauga (Wind, Eye)]’, illuminated stained glass window by David Ward, Greyfriars Church, Friar Street, Reading, 2004 (part of Friar Street Environmental Improvements project still in progress). Photograph by Rod Dorling.

’Interior Landscape’, kinetic sound drawing by Max Eastley, 13-14 Sept 2003, Reading Hindu Temple.

’Interior Landscape’, kinetic sound drawing by Max Eastley, 13-14 Sept 2003, Reading Hindu Temple.

’Return Journeys’, micro-artworks for Reading bus tickets by Luke McKeown, Dec 2002-Feb 2003.

’Return Journeys’, micro-artworks for Reading bus tickets by Luke McKeown, Dec 2002-Feb 2003.

From ’Drop Time’, installation for sonic armchair by Kaffe Matthews, 30 Oct-2 Nov 2002, Reading Railway Station Concourse. Photomontage by Bob Field.

From ’Drop Time’, installation for sonic armchair by Kaffe Matthews, 30 Oct-2 Nov 2002, Reading Railway Station Concourse. Photomontage by Bob Field.